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Lily Bunney redefines painting, bold grids and pixelated mosaics of luminous color

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Lily Bunney’s grid-like, pixelated paintings fold digital lo-fi nostalgia into giant, tactile portraits that read differently up close.

Pixelated Portraits That Reframe Seeing

As a curator and editor, I champion artists who rework digital aesthetics into human scale paintings. Lily Bunney’s grid and pixel canvases blur photography and paint, inviting a double take at every distance. Up close the images fragment into thousands of tiny squares, from afar they resolve into uncanny portraits. Her technique feels both lo fi and meticulously crafted, a smart conversation with phone culture and painting history. This piece is a test of perception, and it rewards patience, curiosity, and the camera on your phone.

You meet Bunney’s origin story, from art school experiments to making work in pandemic solitude, which freed her practice. The article traces her move from classroom grids to cathedral commissions, beadwork, and large scale shows. You also get process details, Photoshop filters, phone images, and the playful research methods she uses. If you care about contemporary craft and image culture, this interview is revealing and visually rich.

I recommend reading the full interview to see images that shift between lo res charm and painterly precision. It is a brief, beautifully observed portrait of an artist turning phone pixels into monumental, human work. You will want to look, step closer, and then step back again.

Read Full Story →

Source: www.creativeboom.com

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