Tactile Editorial Mastery That Demands a Second Look
Underline Studio translates Les Levine’s media art into an object that feels like performance. Bold materials, silver ink and plastic paper, create visual friction and tactile surprise. A red bellyband and distorted portrait push modernist typography into urgent, cinematic territory.
The bilingual catalogue balances strict grids, generous white space, and archival textures with editorial rigor. Coarse halftone screens, metallic surfaces and synthetic tip ins recall Levine’s experiments with electronic media. This case study is essential for designers who care about materiality, craft, and cultural context.
As a branding curator, I recommend this feature for its fearless integration of concept and production. Study the tactile decisions here, they offer rare lessons in editorial decision making and exhibition storytelling.
Dense three column spreads and dramatic chapter numerals guide readers, while captions nest unobtrusively in lower margins too. Material choices are narrators, the silver ground reflects gallery light, and plastic sheets interrupt tactile expectations with authority. The project feels archival and contemporary at once, a bridge between early media experiments and present design. If you design editorial systems, this case will sharpen your approach to materials, process and narrative cohesion.
Source: abduzeedo.com
